“It’s something that we’ve been working on for a while,” said Fox president of entertainment Kevin Reilly. “We have real estate on our schedule in Saturday night late night that we’ve not been programming in quite a few seasons.”

Animation Domination HD won’t only be competing with Saturday Night Live, it will also have a strong online presence that will extend across platforms such as Web, mobile apps, game consoles and Video on Demand. It kicks off in 2012 and will feature 50 original short-form pieces per year, online windows of FOX animated shows, and user-adapted content. It will create a unique opportunity for fans and up-and-coming talent to engage with professional FOX-curated content, which they could possibly platform into their own series. FOX will also use its expertise and cross-promotional power to nurture these new assets through this pipeline.

“This may be the first time a network is building a clear bridge for talent to develop and grow ideas in the digital/alternative arena and organically move them into the mainstream,” said Reilly. “These new late-night series will be assets in their own right – but the clear possibility exists for a breakout digital success to graduate to primetime.”

The first season will include Axe Cop, which is based on a webcomic about an axe-wielding cop, whose battle cry is “I will chop your head off!”

If it sounds childish, there’s a good reason for that. Axe Cop was created by 5-year-old Malachai Nicolle, and his 29-year-old brother, Ethan Nicolle, who does the art. Malachai has dreamed up an endearing black and white world with simplistically absurd answers to equally preposterous problems. When Axe Cop needs to fight an unknown enemy, he uses dinosaurs because whatever it is “it can’t beat dinosaurs.” He summons the dinosaurs from dinosaur planet with a dinosaur horn, which he gets from the dinosaur horn store (duh). Having a child author also results in some political incorrectness. Axe Cop refuses to let girls on his team because all girls are dumb (except Best Fairy Ever) and can’t fight, which he proves by smacking them upside the head with his axe. Axe Cop doesn’t even have time for women in his personal life because he’s married to his job, which he explains in a fan mail Q&A segment called “Ask Axe Cop” (video below).

“Axe Cop is one of the most creative, hilarious and naturally viral comic properties to emerge in the last decade,” said development head, Nick Weidenfeld. “I’ve hoped someone would adapt Axe Cop for television for years and couldn’t be happier that we get to be that someone. Axe Cop has all the makings of an iconic animated series and it will help set the tone for Fox’s new late-prime Saturday animation lineup.”

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“I know there’s a lot of interest in the answer to this one. To be frank, we got excited about the project during development and started adding more features, which extended the development timeline,” explains Mac McKean, AMC’s SVP for Digital Media, on the AMC website. “While we don’t have an exact date yet, I can tell you that the game is about to enter a closed testing phase in limited areas in the next couple weeks. The global public launch will be sometime later. We’ll know better exactly when a worldwide launch will happen once we’ve gotten some results from this more intensive testing period. When we have information to share we’ll keep the Facebook group and The Walking Dead blog up-to-date.”

The game will be accessible to a facebook audience while staying true to the series. That includes featuring weapons like Shane’s semi-automatic, Rick’s Python, Glenn’s machete, and Andrea’s screwdriver. Weapons like the shotgun can also double as a bludgeon. Of course, the real violence will be dished out by the zombies. “We’re going to have zombie feasts, so when you die you’re going to get eviscerated,” says Studio Director Stephen Griffin. “As a player, if you do well, you’ll get the decapitations and so forth. But I don’t think it is gratuitous. We think it serves a purpose to making it feel more like the show.”

It will launch with more content than other facebook games have after a year and continue to be updated when the game goes live. “It’s free to play,” assures McKean. “But similar to many Facebook games out there, you can buy premium items like energy and weapons using Facebook Credits.”

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“Marvel ReEvolution seamlessly brings the worlds of print and digital media together for a comics experience like no other,” touts a Marvel press release. “The first two elements of this exciting new initiative were revealed as Marvel Infinite Comics, a new comic book format, and Marvel AR, the first major augmented reality app from a comics company.”

Infinite Comics debuted with a digital prologue for Avengers Vs. X-Men #1. It features Nova, who is desperately trying to out run the Phoenix Force in order to warn Earth. The story is free with either the print or digital version of the comic and also available for separate purchase at Marvel store for 99 cents.

Infinite Comics are specifically designed to be read digitally as many panels play off the previous panel in a flip book fashion. The inspiration was French artist Yves Bigeral and his digital comic “about DIGITAL COMICS” which was itself inspired by comic theorist Scott McCloud’s “infinite canvas” concept. The unifying theory between all of them is that comics are about creating time with space. Infinite Comics accomplishes this with progressive word balloons & captions, unfolding panels, and shifting focus while maintaining the static moments that are the staples of comics.

“The great thing about Infinite Comics is that even the writer gets to play with the medium in ways they never have before,” explains Chief Creative Officer Joe Quesada. “Not only can the artist guide the reader through the story, but the writer now has control of not only the pacing of the visuals, but the pacing of their narrative. It used to be that the only tools a writer had to pace their narrative in a standard comic was the placement of their balloons and caption boxes, the number and sequence of panels and the turn of the page. Now in an Infinite Comic, they control the caption boxes and how they’re delivered to the reader. It’s pretty damn sweet.

“One of the other cool things about the Infinite Comics technique is that it’s going to allow us to tell different genres of story in a much more effective fashion. For example, I’ve always found that horror never really quite translates to comics like it does in movies, and it’s incredibly difficult get that visceral moment of shock that all great horror movies do so well. The reason for this is the reader’s ability to control the timing and rhythm of a scene with the turn of the page as opposed to the control a director of a movie has over their audience. With an Infinite Comic, while you control the timing of the panels and captions, you don’t know what the next panel or caption is going to be. This allows storytellers scare as well as shock and surprise us in ways we’ve previously not been able to do in comics. So there are little things like that that I think creators will be experimenting with as we move forward.”

Print comics will also be startling readers thanks to augmented reality (AR) that literally makes the pictures jump off the page. The Marvel AR app, which can be downloaded for free on smartphones and tablets, unlocks exclusive extras that play over the print. It’s mostly behind the scenes content and previews but it’s not hard to imagine more interactive uses like simulating X-ray vision, showing speedsters in two places at once or even decoding those intentionally unreadable whispers between characters.

“Marvel AR is a perfect example of how digital innovation not only gives added value to print comics, but also brings a delivers an entirely new reading experience,” explained Peter Phillips, Senior Vice President/General Manager, Marvel Digital Media. “Now fans will have access to more behind-the-scenes material from their favorite Marvel products than ever before—and it’s all absolutely free.”

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The real reason the candidates are there is for “an opportunity to blatantly, shameless promote their books.” Mitt Romney’s book has blank pages so you can write whatever you want him to say. Ron Paul’s book is on how to keep children out of you abandoned amusement park by dressing up as ghost. And Rick Perry promotes a Hardy Boys book, it’s got train robbers!

The Debate is followed by a sexy rebuttal from Obama, who reveals his “dirty little secret.” He’s actually a conservative, just look at his record: Wall Street bailout, extending Bush Tax cuts, and he followed the Bush timeline for pulling out of Iraq… because when Obama says he’s gonna pull out, you can trust him.

Features: Mike Tyson as Herman Cain, Rob Delaney as Mitt Romney, Horatio Sanz as Newt Gingrich, John C. McGinley as Rick Santorum, Greg Germann as Jon Huntsman, Patrick Warburton as Rick Perry, Leslie Jordan as Ron Paul, Erin Gibson as Michele Bachmann, Bryan Safi as Marcus Bachmann, and Reggie Brown as President Obama.

Watch the debate @ Yahoo Screen
http://screen.yahoo.com/yahoo-news-funny-or-die-gop-cyber-debate-27797158.html

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